WomensHistoryReads interview: Joanna Kafarowski

As many of you know, my #WomensHistoryReads interview project started as a celebration of Women's History Month in March. But I found so many inspiring woman writers who find their subjects in inspiring women from history that I continued daily interviews through nearly all of April, and I'm not even done. So you can continue to look forward to occasional new installments in May. Hooray!

Next up: biographer Joanna Kafarowski on her recent book about Louise Arner Boyd, a truly extraordinary Arctic explorer.

Joanna Kafarowski

Greer: What do you find most challenging or most exciting about writing about historical women?

Joanna: I am really attracted to reading, researching and writing about historical women whose accomplishments and lives have been forgotten. It gives me a real charge to root around in dusty archives which have lain untouched for many years. There’s an additional responsibility when you are the first to write the first full biography of a person as happened with my book about Arctic explorer Louise Arner Boyd. Because you are the first one, you have to get it right. It makes it harder as well since you want to keep going with the research - you just know there is more pertinent information out there but you have to draw the line. So what is most exciting about writing about historical women makes it challenging as well! Louise Arner Boyd is such a fascinating woman and there is still so much to learn about her.

Greer:How would you describe what you write?

Joanna: So far I’ve written a biography and edited another book about environmental issues. An obvious common element is that both books are situated primarily in the North because this is a landscape that sings to me. Something about the harsh wilderness, the lack of artifice, the finality of life there is really appealing. And my works are women-inspired because these are the stories that I find most interesting myself. Realistically, I’m in my mid-fifties so only have a few books left in me to write. My biography of Louise Arner Boyd took me over ten years to research and write and while I don’t anticipate taking this long with future books, I want to spend my time- and my words- wisely. My intention is to write books that are meaningful, that present thought-provoking information about people or issues that, in my opinion, are not given enough coverage in our society, and to do the very best job I can as a person and writer of integrity to produce books that are solidly researched and well-written.

Greer: What book, movie or TV show would your readers be surprised to hear that you love?

Joanna: As a biographer, I read a lot about the extraordinary lives of other people and, of course I’m drawn to polar history and anything affecting the circumpolar north. I tend to steer clear of fluffy stuff and love discovering small gems that are often disguised as something else. The Man Who Was Magic by Paul Gallico and Momo by Michael Ende are often considered children’s books but I learn something new every time I read them. They are both sadly overlooked but their simplicity and powerful message really resonates with me. But I do love children’s literature as well and return over and over to many titles I first read many years ago.

I am often asked this question and am interested in your response. How does being a woman inform your research and writing about historical women?

Greer: Great question! I suppose one answer is that it doesn't -- great stories are great stories, and they are gifts no matter where we unearth them and who does the unearthing. But I do think that as a woman, specifically a feminist, I'm deeply interested in discovering the stories of the women who came before us and laid the groundwork for where we are now. It's important to think about how far we've come -- and how far we have yet to go. Acknowledging and spreading the stories of extraordinary women from the past helps us acknowledge the extraordinary potential we each have within us. Knowing what they did, who knows what we might do?

For more information, Joanna Kafarowski can be reached through social media:

Website: www.joannakafarowski.com  

Instagram: https://www.instagram.com/joannakafarowski/ 

Facebook: https://www.facebook.com/joannakafarowskiauthor/ 

Goodreads: https://www.goodreads.com/author/show/8071273.Joanna_Kafarowski

Amazon Author Page: https://www.amazon.com/Joanna-Kafarowski/e/B072KLNH8N

Pinterest: https://www.pinterest.com/kafarowski/

LinkedIn: https://ca.linkedin.com/in/joanna-kafarowski-342758141

ResearchGate: https://www.researchgate.net/profile/Joanna_Kafarowski

WomensHistoryReads interview: Sally Koslow

The next book from today's #WomensHistoryReads interviewee won't be out for another month, but it's probably already on your radar: ANOTHER SIDE OF PARADISE, the story of F. Scott Fitzgerald's romance with Hollywood gossip columnist Sheilah Graham. The author bringing this story to life is Sally Koslow, and I'm delighted to bring you her thoughts on this new book, her taste in TV and movies, and some current favorite authors (with a clever angle to avoid, as she puts it, "sibling rivalry.")

Sally Koslow

Greer: Who are some of your favorite authors working today?

Sally: One of the unexpected pleasures of becoming a novelist is making author-friends all over the United States. So to avoid sibling rivalry, I’m going to pick British authors I don’t know—but would love to meet: Jane Gardam, Tessa Hadley, Penelope Lively and Edward St. Aubyn. Each one is clever in that dry, wry English way, although their talents extend far beyond wit. I will add to the list one British-American whom I have met (major fan moment) because she’s in my cousin’s book club: Helen Simonson. It’s hard to find a more charming book than Major Pettigrew’s Last Stand.

Greer: Well-said! What movie or TV show would your readers probably be surprised to find out you love?

Sally: Since I read a lot of fiction—contemporary, biographical historical, family sagas, classics, World War II-themed—as well as memoirs and biographies, it won’t surprise anyone that I like dramatic foreign television series such as "Babylon Berlin", a police procedural set in the Weimar Republic; "Un Village Francais", exploring the German Occupation of France, and "A Place to Call Home", a soapy but addictive Australian family saga that digs into homophobia and anti-Semitism in the 1950s. Readers might be surprised, however, that I love some fairly lowbrow movies, such as The Wedding Crashers and Groundhog Day. I’ve seen both dozens of times, though not nearly as often as Something’s Gotta Give, starring Diane Keaton and Jack Nicholson. I may have watched it 50 times. I especially relate to the scene where the Diane character, a playwright, is in the zone, pounding away on her laptop, with a big smile on her face. 

Greer: What’s your next book about and when will we see it?

Sally: Another Side of Paradise, to be published by Harper on May 29, is my first biographical historical novel, and I’m thrilled by the experience of trying to bring real people to life: F. Scott Fitzgerald and Sheilah Graham, who were in love during the late 1930s in Hollywood.I am a lifelong admirer of Fitzgerald’s work, and he you surely know, but you may not be familiar with Sheilah. She was a high-spirited Englishwoman who fell in love with lonely Scott long after his dear Zelda had fallen ill and was living in a sanitarium. Sheilah literally re-invented herself. She was smart, resourceful, brashly independent, generous, kind, loving, gorgeous and complex, much like a Fitzgerald heroine, as well as a gossip columnist who could make or break a film career. She also was a muse and champion for Fitzgerald, inspiring him to begin The Last Tycoon, and had many secrets of the you-can’t-make-this-up variety. 

The early reviews include this from Kirkus: “The story of Sheilah and Scott's instant chemistry and their on-again, off-again, but always intense liaison is told with taste and sympathy for these deeply flawed characters… Koslow's writing is vibrant and colorful, and the denizens of Scott's world are ably summed up in a few pithy swipes…A stylish reiteration of a sad, oft-told tale.”

Greer: I'm reading it now (love those advance copies) and loving it. (And congrats on that amazing Kirkus review, a rare prize indeed!)

Sally: You have an incredible name, perfect for an author. Why can’t I be Greer Macallister, not Sally—so 1st grade reader—Koslow—“Cosmo?” I’d like to know, please, how you name your characters? 

Greer: Brief note first, that you should see how many ways people keep inventing to spell "Macallister"! And naming my characters is one of my favorite parts of the writing process. After not getting to name my main character for Girl in Disguise -- Kate Warne was the historical, real-life inspiration for my own Kate Warne -- I actually really struggled with naming the main character for Woman 99, which comes out in 2019. She was Anne, she was Phoebe, nothing sounded quite right. Then I was reading a collection of first-person essays by 19th-century women who had spent time in asylums, including Charlotte Perkins Gilman, author of "The Yellow Wallpaper." And everything fell into place. Charlotte Smith was born. And I can't wait for everyone to meet her.

www.sallykoslow.com

instagram: @spkoslow

twitter: @sallykoslow

https://www.facebook.com/SallyKoslowAuthor/

WomensHistoryReads interview: Terese Svoboda

As I've mentioned before, reaching out to women inspired by women from history for this Q&Q&Q&A series has been a really educational experience for me! Not only is my TBR pile toppling, I've become aware of so many more fascinating women whose stories my fellow authors are working to make more visible. A subset of these are fierce, fiery woman poets, like the Iranian poet Forugh in Jasmin Darznik's novel Song of a Captive Bird, and another is today's, Lola Ridge. Haven't heard of her? Then you need Terese Svoboda's help!

Therese Svoboda; photo credit Joyce George

Greer: Tell us about a woman from the past who has inspired your writing.

Terese: Lola Ridge, radical poet, who emigrated from New Zealand to New York, so determined to be free to pursue writing that she changed her name, nationality and age, went to work for Emma Goldman and wrote ground-breaking poetry about executions, labor, lynchings and imprisonment that lead the New York Times to describe her as “one of the most important poets in America” when she died in 1941. Social justice drove her, and interest in her drove me to write Anything That Burns You.

Greer: How would you describe what you write?

Terese: Stylized, sensuous and witty, with a strong interest in social justice. “Terese Svoboda is one of few contemporary American writers who possesses a global consciousness." – Brooklyn Rail.

Greer: What do you find most challenging or most exciting about researching historical women?

Terese: Their handwriting! That's the most challenging part, once letters are unearthed. Most exciting? Using the lens of a woman on an historical event otherwise seen only by men.

Your question: If you were to reincarnate as a prominent spy in history, which one would you be?

Greer: I love this question! And so many wonderful options, as more stories are surfacing each day of the crucial role women have played, especially during times of war, in discovering information and passing it, often at great risk to themselves, into the right hands.

I'll have to go with the easy answer, though -- Kate Warne! I wrote about her for Girl in Disguise and not only would I love to arm myself with her intelligence, bravery and talent, I'd also love to actually find out what her life was like during the war years! The historical record is so blank on this point, as least in all my research so far. It's a shame that nearly everyone in America knows the name of the man who assassinated Abraham Lincoln but not of the woman who helped foil an earlier assassination attempt as Lincoln traveled to his inauguration -- and without whom American history could have looked very different.

Find out more about Terese and her work at teresesvoboda.com. 

WomensHistoryReads interview: Karen Karbo

Many of the authors I've interviewed for the #WomensHistoryReads series so far have been inspired by one particular individual from history per book, or have chosen to focus their books, fiction or nonfiction, on one woman's story. On the other end of the spectrum we have writers like today's interviewee, Karen Karbo, who uses her latest book In Praise of Difficult Women to familiarize readers with 29(!) stories of amazing women from the past and present.

I love her answer below on the difficulties of researching historical women and how context is essential -- to understand these women, we need to understand the times in which they were raised. And she's got great recommendations for present-day writers to read, too. Welcome, Karen! 

Karen Karbo

Greer: How would you describe what you write?

Karen: I think it’s possible I’m the only practitioner of my genre: creative non-fiction narrative, with rich memoir filling, frosted with humor, sprinkled with self-help. 

Greer: If you could pick one woman from history to put in every high school history textbook, who would it be?

Karen: Josephine Baker. Born in 1906, her life spanned the first ¾ of the 20th century. She fled the poverty and racism of the United States, and became a star in Paris in the ‘20s, virtually overnight. She wasn’t just an entertainer, doing the Charleston in her banana skirt, but also a heroine of the French Resistance and a one of the earliest and most vocal proponents of civil rights in this country. She was complicated, generous, impulsive, and brave. A very complex woman.

Greer: What do you find most challenging or most exciting about researching historical women?

Karen: We are all the daughters of the times in which we were born and raised, and it's crucial to evaluate someone’s life in that context. Women, more so than men, are at the mercy of the cultural expectations of their era. The challenge is keeping this at the forefront of your mind during the research. What I find exciting is becoming familiar enough with a woman’s life and times to appreciate how ground-breaking, progressive, and modern she was. I’m thinking about women like Georgia O’Keeffe or Katharine Hepburn, both of whom I’ve written books about. Or even Helen Gurley Brown, who appears in my latest, In Praise of Difficult Women. Have you read Sex and the Single Girl? It was published 56 years ago, and some of it is practically avant garde, even by today’s standards.

Greer: Who are some of you favorite authors working today? 

Karen: The list is long! It depends what I’m in the mood for. From a history perspective, I deeply admire the work of Jill Lepore. Her Secret History of Wonder Woman was tremendous, and I’m looking forward to her one-volume history of the United States, These Truths, out in September. I adore Stacy Schiff, especially Vera, her classic biography of Nabokov’s wife. In terms of fiction, I read so widely it must qualify as psychiatric condition. I’m a devoted reader of Junot Diaz, Elizabeth Hardwick, Lydia Davis, Lydia Yuknavitch, and Meg Wolitzer. I also loved Girl in Disguise!

My question for you: How do you conduct your research? (Including the sub-questions: How long do you research a specific era? How do you keep yourself from falling into the rabbit hole of material? Do you write first, then research? Research, then write? A little of both?)

Greer: I'm finally hitting my stride on research now that I've finished the writing and revision process on my third published novel (hitting shelves in Spring 2019, but Advance Review Copies will be out much sooner.) I was a mess on my first historical novel, since I'd never written one before, and I had no idea how to balance research with writing. That was one of the reasons The Magician's Lie took five years to get right. Girl in Disguise was much faster, where I was limited by circumstances in a way that turned out to be a real boon -- my daughter had just been born and I could barely string together a sentence, but I could read and read at all hours of the day and night, so I did most of my research on Kate Warne and her times well before I actually began to craft her story. Then I wrote and rewrote and rewrote, and after I knew which scenes were going to survive the final cut, I did another round of research for the smallest details. Names of streets in 1856 Chicago, hotels in 1861 Richmond, flowers that would've been in season when I needed them to be. That rhythm seems to work for me now: the big-picture research, then most of the writing with occasional dips into the research well -- but not too many or it slows down the writing too much -- and then more nitty-gritty research at the end to really nail down the smells, tastes, sights and sounds of the era so my readers feel truly transported.

Instagram @karbohemia

Twitter @karbohemia

Facebook Karen Karbo

Website: www.karenkarbo.com

WomensHistoryReads interview: M.J. Rose

Some writers keep up a brisker publishing schedule than others, and M.J. Rose's schedule is pretty darn brisk! We talk in this #WomensHistoryReads interview about her new book TIFFANY BLUES, which arrives this summer, but her previous release, THE LIBRARY OF LIGHT AND SHADOW, hits shelves in paperback just today. A bit about LIBRARY:

In this riveting and richly drawn novel from "one of the master storytellers of historical fiction" (New York Times bestselling author Beatriz Williams), a talented young artist flees New York for the South of France after one of her scandalous drawings reveals a dark secret—and triggers a terrible tragedy.

Sounds intriguing, doesn't it? M.J.'s books always do. Enjoy her interview below!

M.J. Rose

Greer: Tell us about a woman from the past who has inspired your writing.

M.J.: Georgia O'Keefe. Not a writer but a painter who has inspired me since I first saw her cloud paintings when I was a little girl. She followed a different drummer and even if it cost her dearly at different points but she remained true to her vision at a time when women artists had to struggle so very hard. She experimented, she persevered, she never stopped.

Greer: What’s your next book about and when will we see it?

M.J.: TIFFANY BLUES, out this summer.  My tag line for it is Everything looked beautiful through the stained glass -- but her past. It's a novel of ambition, betrayal, and passion about a young painter whose traumatic past threatens to derail her career at a prestigious summer artists’ colony run by Louis Comfort Tiffany of Tiffany & Co. fame. There is a lot of fact in this novel and I loved doing the research.

Greer: Sounds wonderful! What do you find most challenging or most exciting about researching historical women?

M.J.: Trying to find the truth of the women, not how society painted them or softened them, or cast them in a unfair harsh light. I only trust first person source material but that's not always available.

And a question for you: What is the strangest or most unusual thing you believe in?

Greer: What an intriguing question! I wish I had a darkly intriguing answer. The truth is I'm almost entirely practical and pragmatic, so my beliefs probably wouldn't strike most as strange. I do have a narrow but fierce superstitious streak that comes out in two situations: walking under ladders, which I'll go to great lengths to avoid, and spilled salt, which I always pinch and throw over my left shoulder and/or on the stove. Doesn't hurt, might help, right?

Learn more about M.J. and her books at her website: M.J. Rose.

WomensHistoryReads interview: Patti Callahan Henry

Like readers, authors don't always stick to a single genre. The siren call of a particular woman from history can inspire anyone, including a New York Times bestselling author with a dozen contemporary novels already under her belt. I was delighted to hear that Patti Callahan Henry (writing as Patti Callahan in this case) will be releasing her first work of historical fiction, inspired by the life of Joy Davidman -- and even more delighted to share her Q&Q&Q&A with you!

Patti Callahan Henry

Greer: Tell us about a woman (or group of women) from the past who has inspired your writing.

Patti: The fiery poet, novelist and writer, Joy Davidman (C. S. Lewis’s wife) once asked, “If we should grow brave what in the world would ever become of us?” and then she set out to answer that question with her life. Although there have been many fabulous women who have inspired me all through my life, all through my writing career (most notably Anne Rivers Siddons) and all through my life journey, it was Joy Davidman who inspired me to set my pen to Historical Fiction for my thirteenth novel. I wanted to know her, to tell her story, to bring her out from the shadowlands of history where she had been relegated to the dying wife of C. S. Lewis. Born in New York City and raised by strict middle European immigrant parents, how was she ever to know or fall in love with an Oxford don in England? Her courageous transformation so inspired me that I set out to write about her journey. While I wrote about how she changed her life, I slowly began to alter the way I approached the page and a story. The research alone freed me to understand how much we owe those women who have come before us, those who had cleared the way with their courage in whatever form that might take. 

Greer: What’s the last book that blew you away?

Patti: Ariel Lawhon’s I WAS ANASTASIA blew my mind and kept me enthralled with every twist. Writing historical fiction isn’t just about imagining things around a true event; it’s about capturing the time and the idiosyncrasies of the characters who live in that time. Ariel does it astoundingly well. The best books are the ones where we enter the story not fully understanding where we are going but immediately being willing to be taken to wherever that may be. This novel does just that and more. I was finishing my novel when I read this book in galley form and it made me want to dig deeper into my own narrative of Joy.

Greer: What do you find most challenging or most exciting about researching historical women?

Patti: Once a woman has become a known figure by either association with her husband or by biography or movie, it is difficult to shake the mythology surrounding that woman. Who is she really? Who is she beyond the stories and the rumors and the misunderstandings and judgements? One must dig deep below the surface stories and beyond the cliches that have been told over and over about her. The challenge is to understand as well as one can the woman’s own psyche with her original material. BUT this is also the exciting part —to slowly unearth, like a detective or an archeologist, the true bones of her life and journey beyond what has been told about her. The challenge and the excitement are intricately tied together; to fully immerse oneself in the demands of research is to also experience the thrill of discovering a “real” person who changes all of us with her courageous journey. 

And a question for you: When you are setting out to write your historical fiction, which do you dive into first — the time period or the character? Or both at the same time? 

Greer: Usually the character comes to mind first -- she's the inspiration -- but as soon as I know the time period, that's the priority of my research. I have to learn as much as I can about the setting. Not just what they wore and how they got around, though that's always fun, but everything from the prevailing societal rules of the time to whether a particular area of the country would be electrified to what was on the menu at a particular restaurant in the year I'm writing about. When I'm developing a character I can always improvise and invent along the way. But there are experts in the world who know far more than I do about any particular period I could write in, so I need to get it right for them, as well as for readers who count on me to draw an accurate and compelling world for them to get lost in.

Website: https://www.patticallahanhenry.com

Facebook: https://www.facebook.com/AuthorPattiCallahanHenry

Twitter: https://twitter.com/pcalhenry

Instagram: https://www.instagram.com/pattichenry/

Pinterest: https://www.pinterest.com/patticalhenry/

Goodreads: https://www.goodreads.com/author/show/207337.Patti_Callahan_Henry

WomensHistoryReads interview: Melissa Lenhardt

Yesterday we talked about "speculative historical fiction" as a genre in Kari Bovee's #WomensHistoryReads interview, and today's guest introduces us to another deeply cool genre: the feminist Western. I'll let her speak directly to you about what that means because I love the way she does it. Without further ado: Melissa Lenhardt!

Melissa Lenhardt

Greer: How would you describe what you write?

Melissa: My historical fiction novels have been described as feminist Westerns, a label I wholeheartedly endorse and embrace. I’m proud of that title, but I imagine it could put some people off. Have I just dropped women with 21st-century sensibilities into the past and am calling it historical? No. Absolutely not. My books are feminist for one apparently radical idea: I’m representing women in Westerns the way men have been represented for 100 years:

Women are the center of the story. 

Women drive the plot. 

Women make decisions independently of men. 

Women don’t need men to validate their existence in the world. 

Women don’t need to fall in love to be happy (though they do, at times).

Somehow, I also find a way to treat the male characters with respect. Shocking! (But, honestly, it’s not that hard to respect all of your characters.)

Greer: Yes! Brilliant. What’s your next book about and when will we see it?

Melissa: My next novel, HERESY, will be released on October 2, 2018. The one-line pitch to my publisher was “Thelma and Louise meet the Magnificent Seven.” The more detailed pitch was it’s the story of the last days of a gang of female outlaws who were ignored during their time and written out of history. 

I got the idea a couple of years ago when I saw the trailer for the Denzel Washington version of The Magnificent Seven. I was excited to see a diverse cast, then I wondered why they didn’t take it a step farther and include a woman, which led to “this would be awesome with all women” which of course led to me deciding, “I’ll write that.” This was also during the 25th anniversary of Thelma and Louise so I decided to also make the story about a friendship between two women from very different backgrounds whose mutual respect and love for each other are central to the story. It was a difficult book to write because I decided to tell the story through journals, oral history, lost documents, newspaper articles, and “official” histories. This book challenged me as a writer, to say the least. I’m proud of the end result, and I can’t wait to share it with the world.

Greer: What book, movie or TV show would your readers probably be surprised to find out you love?

Melissa: "Avatar: The Last Airbender," the Nickelodeon series. I started watching it with my sons but stayed for the characters and story. Over four seasons, "A:TLA" tells a cohesive story, with a beginning, middle and end. The characters grow, change, and do things you don’t always agree with. There’s humor, platonic and romantic love, action, good versus evil, and social commentary. And, it’s always entertaining. If you’re looking for something to stream, "Avatar: The Last Airbender" is an out of the box choice, but totally worth it.

Question for Greer: What is a genre you don’t write in (and think you would never, ever be able to write) that you secretly wish you could? (Mine is sci-fi/fantasy.)

Greer: I love sci-fi and fantasy too (what is it with us historical fiction authors and a passion for sci-fi?!) and could see myself possibly writing in that direction at some point in the future, though I have heaps of historical fiction ideas that await me first. So the SF ideas have to get in line. And it is such a long line.

I'm not sure I could ever write a successful romance, though I'd love to! My books always have an element of romance to them, because I love to write what I love to read, but in terms of straight-up category romance, that's a demanding genre with specific rules. I don't think its writers get the credit they're due. There's a big difference between including a love story between two characters in a novel in some other genre -- historical, contemporary, SF, literary, whatever -- and actually writing A Romance. It's like a sonnet. I'm not sure I'd have the skills to achieve something interesting, original and compelling that would meet reader expectations. Thank goodness other writers do, and we get to read them.

Melissa Lenhardt is the author the Jack McBride mystery series, as well as the Sawbones historical fiction series. Her debut mystery, STILLWATER, was a finalist for the 2014 Whidbey Writers’ MFA Alumni Emerging Writers Contest, and SAWBONES, her historical fiction debut, was hailed as a "thoroughly original, smart and satisfying hybrid, perhaps a new subgenre: the feminist Western" by Lone Star Literary Life. A lifelong Texan, she lives in the Dallas area with her husband and two sons.

Twitter @MelLenhardt

Facebook – Melissa Lenhardt-Author

Instagram – MelLenhardtAuthor

Website: melissalenhardt.com

WomensHistoryReads interview: Kari Bovee

Today's #WomensHistoryReads interview brings us a new genre inspired by history, "speculative historical fiction," by GIRL WITH A GUN author Kari Bovee. In addition to her books, Kari has a writing project that obviously resonates with my interests -- highlighting "empowered women in history" on her blog (see more about that below.) You'll love her questions and answer, which will whet your appetite for her upcoming book. Welcome, Kari!

Kari Bovee

Greer: How would you describe what you write? 

Kari: I would call it “speculative historical fiction” because I like to take real life characters, like Annie Oakley in my book Girl with a Gun - An Annie Oakley Mystery, and create a new reality for them. Annie Oakley was not a detective in real life, nor did she try to solve crimes. But, in my books, she does. While I like to stick to real life historical settings, I like to have my characters, real and imagined, interact with one another. It’s fascinating to think about how history might have been altered if certain people or events came into the historical figure’s life during a particular time period. It’s sort of like changing history in a way. To me it's great fun! 

Greer: What’s your next book about and when will we see it? 

Kari: I’ve written a prequel novella to Girl with a Gun titled Shoot Like a Girl that will be released sometime in the fall of this year. The second book in the Annie Oakley series will be out in Spring, 2019 with Spark Press.

Greer: What do you find most challenging or most exciting about researching historical women? 

Kari: I have a blog that features empowered women in history (it can be accessed through my website at https://www.Karibovee.com) The most challenging thing about researching for the blog, or my books, is sometimes there is a ton of reliable information out there on the internet or in various publications, and sometimes there isn’t. I like to write about wildly famous women, but also about the not-so-wildly famous women in history. For the not-so-famous women it’s hard to find unique material. Often, the same two paragraphs have been written about them in a variety of places. For the wildly famous women in history, I like discovering little nuggets of information about them that not many people know about. It’s also exciting to me to breathe life back into the women that have made an impact in history. I like to think about what went on in their heads, how they felt about their experiences, their life, and the people they encountered? We know what these women DID in life, but do we really know how they FELT about it? Only they truly knew their own thoughts and feelings. I ask myself questions like, what scared them? What excited them? What repulsed them? What were their secret passions? etc. I try to answer those questions based upon what I’ve learned about them. It’s like a psychological experiment!

Question for you: Which one of your characters would you like to spend the day with, and what would you do? 

Greer: Fabulous question! The one that leaps to mind immediately happens to be one of my characters most inspired by a real-life historical woman: Adelaide Herrmann, known as the Queen of Magic, who I wrote into my novel The Magician's Lie. She was fiercely independent and intelligent, not to mention a truly impressive magician. Early on in my book tour, I tried to learn some stage magic and discovered I was absolutely terrible at it. But with her guidance maybe I could be better! 

For more about Kari and her books:

Website: https://www.Karibovee.com

Twitter https://twitter.com/KariBovee

Facebook: https://www.facebook.com/KariBovee/

Instagram: kari bovee_writer

WomensHistoryReads interview: Kerri Maher

Happy Friday! Here's a great interview to start off your weekend from Kerri Maher, author of THE KENNEDY DEBUTANTE. The only bad news is that her debut won't be available until October, but that's one of the fun things about publishing -- anticipation! Read on to find out Kerri's thoughts on research and history, one of the best soap operas of all time, and the March sisters.

Kerri Maher                                    Photo Credit: Photos by Peter Su

Greer: What do you find most challenging or most exciting about researching historical women?

Kerri: I love research, and I’d forgotten just how much I loved it until I worked on The Kennedy Debutante. The whole process of reading, learning, and writing about Kick Kennedy lit up parts of my brain that hadn’t been lit up since I was in college—where I started out as a history major (I wound up as an English major with an Art History minor). For me, the most exciting thing about researching historical women is the learning process—discovering who she was on her own terms, and then starting to make notes of my own in the margins of the books and letters and diaries, in which I start to imagine her as a character in my book.  That pre-draft writing feels like getting into a car for an awesome road trip with a new friend.  

The most challenging thing, which I still find really fun, is searching for those needles in the haystack.  In the case of TKD, I got obsessed with trying to figure out which Cambridge College Billy had gone to.  I suspected it was Trinity but wasn’t sure, and the matriculation office there didn’t have a record of him, either under his family name of Cavendish or his title the Marquess of Hartington. I emailed many people to figure out the answer. It wasn’t until the university archivist helped me find him under his previous title, the Earl of Burlington, that I finally located his name on the records.  After all that work, I had to include the story of his titles in the novel—he tells Kick all about it at the Derby.

Greer:  What book, movie, or TV show would your readers probably be surprised to find out you love?

Kerri: Growing up, I watched a soap opera called “Another World” every day with my mom. Back in the pre-streaming days of VHS players, my mother taped the show every day while she was at work and I was at school, and then we would watch it together late in the afternoon. I learned a great deal about storytelling from that soap, and was also inspired to be a writer myself by a flamboyant, feather-boa-wearing character named Felicia Gallant, who was also a romance novelist. I still have a soft spot for that show, though it’s long been off the air—I wrote a whole chapter about it and why it’s important to embrace your tastes in my memoir This Is Not A Writing Manual.

Greer: That show was the best. I was particularly obsessed with Vicky and Marley -- because what soap would be complete without good and evil twins, especially when played by Anne Heche! Next up: tell us about a woman (or group of women) from the past who has inspired your writing.

Kerri: It’s funny you ask this, because I was reminded just recently of how much Louisa May Alcott and her characters Jo and Amy inspired me to write—when my agent came up for a weekend to visit, we went to the Alcott family’s house in Concord (after a walk around Walden Pond, of course!), and it all came back to me:  I read Little Women when I was about nine years old, and I was completely absorbed in the story of the four March sisters. I identified strongly with Jo and her affinity with words, and also with Amy and her desire to live a creative, artistic life. Even then, in grade school, I felt the pull of history—and I was tantalized by the idea of Louisa May Alcott making a life for herself as a writer more than one hundred years ago.  

Kerri: Now a question for you, which is a bit of a cheat, because I’m throwing one of your questions back at you, but it’s only because it’s so good!! Do you consider yourself a historian? I don’t consider myself one because of the amount of invention that goes into my novels, but I’m super curious to know what you think about your own work. 

Greer: I have tremendous respect for historians, partly because I could never be one. I'm too addicted to making things up. Not just because it's too hard for me to stick to facts -- though it is -- because in some cases there just aren't enough facts to hang a book on. Like with Kate Warne, the first female Pinkerton detective, who inspired Girl in Disguise. We have a handful of facts from the historical record and that's all. Those gaps in the record are killers for a biographer, but a wide-open invitation to a novelist. Kate left no letters or diaries behind when she died, so we don't have her voice. I wrote a novel to give her that voice.

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For more about Kerri and her books, check out her website at www.kerrimaher.com. 

Instagram: @kerrimaherwriter

Facebook: @kerrimaherwriter

WomensHistoryReads interview: Sandra Gulland

Today's #WomensHistoryReads guest writes about women from history, as do all of the guests in this series, but her upcoming novel is new territory: historical YA. As she puts it, "The novel is very much about teen life in 1800 — especially boarding school life — but teen life in a world that has been ravaged by revolution." A perfect fit for YA and an intriguing-sounding set-up... especially when one of the book's teens is the stepdaughter of Napoleon. Read on for more from Sandra!

Sandra Gulland

Greer: How would you describe what you write?

Sandra: I write biographical historical fiction about women. Most of my work to date has been set in French history, but that may not always be the case. For example, right now I am writing a YA novel about a girl falconer in Elizabethan England, a girl who is said, by some, to have become Master Falconer to Queen Elizabeth I. Falconry was very much a male domain, so this perked my interest. Plus, those amazing falcons!   

My research for one novel will usually lead me to my next subject. Invariably, something about a woman's life story will spark my curiosity. How could a woman become a queen's Master Falconer? How did a devoutly religious young woman such as Louise de la Vallière become the married Sun King's mistress? Was Josephine Bonaparte's amazing future really predicted? 

Will I return to French history? Likely. I have a long list of "curiosities" yet to be explored.

Greer: What’s the last book that blew you away? 

Sandra: The Hate U Give, a Young Adult novel by Angie Thomas, is amazing, and all the more so because it is Thomas's debut. It is perfectly constructed, emotional and dramatic as well as funny. I listened to the Audible edition, which is outstanding. It's an important novel, casting light on the violent racial divide in the U.S., yet no character in this novel, black or white, is free of guilt. It's profoundly haunting. 

Greer: What’s your next book about and when will we see it? 

Sandra: THE GAME OF HOPE will appear in Canada on May 1, and in the U.S. on June 23. It's a Young Adult novel — my first (but not my last) — about Josephine Bonaparte's daughter Hortense de Beauharnais, whose father was guillotined during that period of the French Revolution known as the Terror. 

The story opens four years after the Terror in The Institute, Madame Campan's wonderful boarding school for girls, most of whom have suffered the death of a parent or two during the Terror. So of course the school is haunted by the traumas these girls suffered growing up. Madame Campan, a mother-figure to the creatively-precocious Hortense, was an amazing woman — a subversive, of sorts. She believed in educating girls to become self-sufficient professionals, but portrayed her school to the public as grooming them to become good wives (the then-acceptable purpose of a girl's education). 

The novel is very much about teen life in 1800 — especially boarding school life — but teen life in a world that has been ravaged by revolution. Hortense idolized her deceased father, and is having a very hard time accepting her new stepfather Napoleon. She's talented in many ways — artistically, but also musically, and she was fortunate to have the young and handsome genius composer Jadin as a teacher and mentor. 

The Game of Hope—Tarot-like fortune-telling cards that were first used at that time—is a theme throughout. They were created by Madame Lenormand, a friend of Hortense's mother Josephine, and are still quite popular today. What does Hortense hope for? Like any girl of 16, she hopes for love. 

My question for you, Lady Greer, is: What was the most surprising thing you experienced in becoming a published author? 

Greer: In the lead-up to the publication of my first novel, I was constantly surprised by how welcoming and supportive the community of published authors could be, and I continue to be in awe of that truth even today. The number of authors I meet, both in person and online, who are generous with their time, collaborative instead of competitive, and genuinely thrilled for fellow writers' successes -- it just amazes me, over and over again. And it's a real pay-it-forward situation. So many authors have helped me out with advice, blurbs, joint events, so much more. It's the least I can do to help others out when there's something I can do to bring attention to them and their books. (And in the best cases, like with these interviews, everyone benefits, including readers -- and it's fun in the bargain!) 

An American-Canadian, Sandra Gulland was born in Miami, Florida, and lived in Rio de Janeiro, Berkeley and Chicago before immigrating to Ontario, Canada, in 1970. There, she and her husband built a log-house on one hundred acres of field and maple tree forest where they cohabited with their two toddlers (now adults), two horses, a dog, three cats, twelve chickens and two pigs. All the while she was writing. Now an internationally published author of six novels, she and her husband live half the year in Canada and half in Mexico. For more information about the author and her work, go to www.sandragulland.com.

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